Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Monday, 29 April 2013

Everything Related to Hurt


A performance based on and about language.
During my conversation with a French girl in which we were taking about our work, I asked if she ever took photographs. She told me, that the previous summer she had documented everything related to hurt. Something I found really interesting in relation to her work on love. It was only a few minutes later I realized, that she had in fact said everything related to heart and had pronounced heart in a French way, leaving the ea sounding like a u.

I could not get the sentence out of my head. Everything related to hurt. It somehow sound intriguing and to me much more interesting and profound than everything related to heart. Therefore I decided to take it on as a working title for a future project, that I at that point didn’t know what was going to be.

What is hurt and what does it involve?
I find that most times we hurt ourselves through our perception of the actions of other people, more than their actual intend to hurt us.
What I mean by this is that hurt is often induced from within, a negative value added to an action of another person.
If your lover fails to say he loves you, it hurts because you want him to; if you cannot get over a past lover it isn’t because of him but your own inability to let him go, hence you keep hurting yourself by constantly reaffirming a love not reciprocated; if there is caused trouble in paradise it is often because of misreading and wrong interpretations.
We create the hurt through our private language; we speak towards others though they cannot hear us, thus hurt is dependent on someone else and yet much more on our own expectations to this individual

In this performance I am exploring my private language, toward various men in my life; by trying to speak my inner language out loud, my perception of things that are not necessarily true.

I will be performing this, Saturday the 4th in the “Direct Action” festival, a part of “The Month Of Performance Art Berlin”. In case you are in the area you should come check it out.

Thursday, 3 January 2013

Eros 2 - Symposium Project - Part 2!


I recently finished my first film in "The Symposium Series". I have chosen to call it "Eros 2" since it is the second speech in "The Symposium".  
The protagonist is Ansy. A french girl who came to London as a reaction to her break up after a long passionate and complicated relationship. 
Based on my idea of finding the lack after a break up I had decided to look on love and promises as a series of actions rather than something spoken. It is indeed ourselves who decide what actions we choose to see as a promise and what we expect of our partner based on these actions. 
When I first met Ansy one thing from all the thing she told me really made an impact on me , which was this: Her ex-girlfriend was a musician and so naturally a large part of their relationship was occupied by music. As a reaction to the breakup she isolated herself from all music, she left her Ipod behind in France and went to London in the hope to forget. 
Personally I could not bare the thought of living without music, I think that most people consider music to be one of the most influential factors in their daily life. Music can change one's state of mind, it can make one happy, sad, thoughtful etc. and if we are without it such a large part of who we are would be lost.
She said this to me: "The day she left me, the music left my life" and therefore I wanted to make the film about the pathos that follows a life without music. 

Tonight it will be shown in The White Chapel Gallery in London. This is very exiting to me and at the same time a bit terrifying since it is the first time I show a film while I am there and have to talk about it with someone else than my tutor. It will be great though to get some reactions and see how I feel about the situation myself.

Sunday, 2 September 2012

Jemand War-Leer!

Until Friday this week I am taking part of an exhibition called Raum in Betrieb! It is the 4th time this event takes place in Halle (Saale), Germany.
The idea is to take an empty house and for one week make it into an exhibition space. Each artist gets a room for their proposed project. 

This work centers around the past life of a room. The piece consists of 6 photographs, all of objects that could have occupied the space and 4 different sound pieces to accompany them. The sound pieces are narrative moments. A glimpse into someones life.
Combined I hope to make the viewer compose their own stories of the people who once lived there. 

"Jemand War-Leer", copyright Dorthe Slej Pedersen 2012

Monday, 7 May 2012

These Things I Know For Sure!

At present moment I am researching for an essay on Andrea Zittel and I found this list of hers that I thought I would share. I am not sure I agree with all. However sometimes I feel it is useful to look at how other people define their world in order to think about how you define your own.
Maybe we would all benefit from making a similar list.

These Things I Know For Sure:

1:It is a human trait to want to organize things into categories. Inventing categories creates an illusion that there is an overriding rationale in the way that the world works.

2:Surfaces that are "easy to clean" also shows more dirt. In reality a surface that camouflages dirt is much more practical than one that is easy to clean.

3:Maintenance takes time and energy that can sometimes impede other forms of progress such as leaning new things.

4:Al materials ultimately deteriorate and show some sign of wear. It is therefore important to create designs that will look better after years of distress.

5:A perfect filing system can sometimes decrease efficiency. For instance, when letters and bills are filed away too quickly, it is easy to forget to respond to them.

6:Many "progressive" designs actually hark back towards a lost idea of nature or a more "original form"

7:Ambiguity in visual design ultimately leads to a greater variety of functions than design that are functionally fixed.

8:No matter how many options there are, it is human nature to always narrow things down to two polar, yet inextricably linked choices.

9:The creation of rules is more creative than the destruction of them. Creating demands a higher level of reasoning and draws connections between cause and effect. The best rules are never stable or permanent, but evolve naturally according to context or need.

10: What makes us feel liberated is not total freedom, but rather living in a set of limitations that we have created and prescribed ourselves. 

11:Things that we think are liberating can ultimately become restrictive, and things that we initially think are controlling can sometimes give us a sense of comfort and security.

12:Ideas seems to gestate best in a void-when that void is filled, it is more difficult to access them. In our consumption-driven society, almost all voids are filled, blocking from moments of greater clarity and creativity. Things that block voids are called "avoids".

13:Sometimes when you can't change a situation, you just have to change the way you think about the situation.

14:People are most happy when they are moving forward towards something not quite yet attained. (I also wonder if this extends to the physical motion in space. I believe that I am happier when I am in a plane or a car because I am moving towards an identifiable and attained goal)

Andrea Zittel 2005

Sunday, 9 October 2011

Shooting Gallery!


Last time I went to CO Berlin, was when I wanted to se Robert Mapplethorpe in March this year. However at the same time, there was another small exhibition taking place. This one caught my eye, more so than the naked bodies and the beautiful arranged flowers in black and white.

A Dutch woman (Ria Van Dijk) has been going to the Shooting Gallery at the local fair her entire life. 
The deal whit the Shooting Gallery is, that you buy a certain amount of shots, like when shooting at flowers. If you hit the mark, you get a nice picture of yourself shooting.
And she collected 31 of these pictures throughout her entire life. All these were exhibited.

To me she wasn't the only one to notice on the pictures. 
The people standing next to her, awaiting her shot, and the general surroundings were just as significant.
These photos were not only a testimony of her life, but also as a reflection of changing society.  Because it succeeded in capturing a time within this narrow reference, Zitty Berlin also named it; one of the best curated photo exhibitions in a long time.

Yesterday I came across these pictures online I though I would share them.
 
The full roll of pictures you can find here.

Thursday, 6 October 2011

Are You An Artist?



What do you do?
This is generally one of the first questions you get asked when introduced to someone new.  So there is a relevance to this question. We need to be able to define what we do to other people. If we can’t when asked, we might come of as insecure or arrogant.
For artists it can often be hard to define what exactly it is they do. They find themselves asking, “What makes me an artist, and how can I justify calling myself an artist, when my main income comes from something besides art?”
This is not relevant being a nurse, a policeman or a cashier, because these nouns come with a clear definition. First answer would probably lead to more specific questions as what kind of nurse, where, how long etc.  But because an artist is more of a caption than a noun, it can often be easier using a more relatable term when talking to a layman.
Many artists are in a constant dilemma of whether or not they should call themselves artists. Not only because of their multiple activities, but also in regards to the expectations in relations to themselves, their practice and other people.

Many artists use their daily experiences as inspiration in their artworks. Things happening around us influence us all and art is a response to our reality. It tells us something about our society, the people living in it, the nature surrounding us etc.  So when being an artist, observing people will be in the eye of an artist, when eating, it will be in the eye of an artist, because one never knows when inspiration will come. Being an artist is not a job but really a lifestyle. But if one is an artist whilst scrubbing the toilet, does this mean that everyone is an artist?

Not everyone is an artist, and not everything an artist produces is art. There is a difference in being an artist and a non-artist.
Even though many artists have a second job to support them financially, their artwork still has to hold the intension of art to be art. The artwork needs an audience to become art. Only in dialog with an audience a piece can become real.
So why do so many artists hesitate to deem themselves as artists?

One of the main factors of this is, not only having trouble defining themselves within an abstract term, but embarrassment plays an important role as well.
There is an irony to this. In the beginning of the artist’s career they are embarrassed to call themselves artists, because they have another job to support them.
Later on they are embarrassed to say that they have another job to support them, because they call themselves artists.

The other element to this embarrassment is that art is not a necessity, but considered a luxury. Something supposedly for the Elite.
There may be a grain of truth to this. Looking at the demography of who become artists; the majority is white upper/ higher middle class people. And art is a privilege, because we live in a part of the world that is well educated and can afford to practice and support art.

So this embarrassment arises from either modesty or pretentiousness.
Modesty because an artist has the ability to effect people’s lives and thoughts, but art does not matter to people, when it comes to the daily struggle for survival.
So when telling that they are artists, they are afraid that other people will perceive them as pretentious.
But is this concern, of being perceived as self indulgent, not only an expression of how the artists perceive themselves? We are never able to verify what other people think of us, and often it is a reflection of our self-image. What they believe people think of them is really born as an anxiety in their own mind.
Would they have trouble labeling themselves as artists, if it didn’t make them feel a bit better than anyone else?

Everyone has their place in a functional society, and artists depend on people giving interest in their work to be able to keep producing them. Like previous stated the audience makes the artworks come to life. So whether or not they choose to claim themselves as artists or something else. It tells us more about how they see their identity, as either always an artist or ever an artist.